本次时装艺术节以时装为纽带，为创作者提供一个聚合实践的 “舞台”， 试图寻求一种创作的归真状态，进而探讨东方美学的无限可能。因此，我们借用“舞台”为切入点，以“即兴”作为视觉概念的核心，企图还原这种“去中心化”的原始理念。时装为人所创，为人所用，人作为即兴的本体亦自然地成为了我们创作的主体。通过多种不同字体的组合搭配，形成多元的“舞台”画面，而位于“舞台”中心的关于“人”的创作则开放给大众共同参与完成。这是一个能自由生长的设计，也是一场独属于艺术节的实验创作。
The festival aims at providing a stage for creators to create in an original and pure state, while exploring more possibilities fororiental aesthetics. We consider "stage" as a starting point and take "improvisation" as the main keyword to present the conceptof "decentralization". Various "stage" images are formed through different layouts and different fonts. The creation of the "stage" center is about humans and open to the public, since fashion industry is always connected with human beings. A self-growing visual system is therefore developed and it also becomes a part of artistic experiments for the festival.
